LepaiSrecna Author: Steve Wood Copyright: Steve Wood Description: Roksanda Ilincic was back on familiar ground for spring, taking over the Serpentine Gallery’s pavilion, designed by Japanese architect Junya Ishigami. Ilincic has often used the Serpentine’s pavilions as a backdrop for her collections and used the works of artists and architects to inform the bold colors and sculptural shapes that have become collection signatures. This season was no different. Referencing the bright shades of Cristo’s barrel sculpture at the Serpentine or the romantic watercolor paintings by Mary Weatherford, the designer sprinkled striking pops of color throughout her spring collection, from the coral ribbon flowing over a neutral-toned maxidress, to a head-to-toe red ruffled poplin midi number and the series of crinkled taffeta gowns featuring abstract, graffiti-like patterns. London Fashion Week SS20 Software:Adobe Photoshop CS5 Macintosh Created: 2019:09:18 19:04:46

LepaiSrecna Author: Steve Wood Copyright: Steve Wood Description: Roksanda Ilincic was back on familiar ground for spring, taking over the Serpentine Gallery’s pavilion, designed by Japanese architect Junya Ishigami. Ilincic has often used the Serpentine’s pavilions as a backdrop for her collections and used the works of artists and architects to inform the bold colors and sculptural shapes that have become collection signatures. This season was no different. Referencing the bright shades of Cristo’s barrel sculpture at the Serpentine or the romantic watercolor paintings by Mary Weatherford, the designer sprinkled striking pops of color throughout her spring collection, from the coral ribbon flowing over a neutral-toned maxidress, to a head-to-toe red ruffled poplin midi number and the series of crinkled taffeta gowns featuring abstract, graffiti-like patterns. London Fashion Week SS20 Software:Adobe Photoshop CS5 Macintosh Created: 2019:09:18 19:04:46