Mnoge moderne dame žele da budu zapažene u efektnim haljinama, dezenima i krojevima, a ova modna kolekcija je dozvolila mašti da se poigra sa bojama i šarama koje će definitivno svima privuči pažnju!
Svi žude za malo promene u svom ormanu, ali većina često ne može da priušti toliko novih komada koje žele, piše Lepa & Srećna. Moskino modnarevija u Milanu koja se održala prošle 2018. godine prikazala dezene i krojeve koji su nekada vladali u našim modnim kombinacijama i zato uronite u orman i iskopajte haljinu sa naramenicama ili retro model sa kaišem oko struka!
Povezane vesti
Poznata modna kuća Moskino je prikazala svoju viziju prolećne kolekcije za 2019. godinu, koja će se dopasti nešto hrabrijim damama. Cela kolakcija odiše maštovitom energijom sa pank motivima i grafičkim dezenima u jarkim bojama. Zabavne i razigrane haljine u dominatnoj beloj boji su poslužile kao pravo platno za eksploziju šara poput narandžaste, žute, roze i plave koje čine ove modele mladalačkim i zapaženim.
Pored zanimljivih dezena, tu su i uske haljine sa šljokicama, zlatnim nitnama i u zanimljivim dezenima među kojima će svaka dama pronaći svoj omiljeni stil. Ova zabavna kolekcija je pored efektnih modela ponudila i šik šešire, rukavice i detalje uz pomoć koji se postiže glamurozan izgled.
Izvor: Lepa & Srećna
MODA ZA PROLEĆE 2019: seksi haljine i zanimljivi deseni u kojima ćete biti modna kraljica godine (FOTO)
Author: Steve Wood © Copyright Copyright: Steve Wood © Copyright Description: Jeremy Scott, fashion’s very own court jester, chose an inside joke as his ruse this season at Moschino, and, ooh, it had a delicious edge. He mocked his peers who won’t stop whining about their — handsomely compensated — workload. “The fashion system has sped up so much that, this time, I didn’t have time to finish my work,” Scott teased backstage before the show. “All I have to show is my sketches.” Naturally, that wasn’t true. Scott’s collection was more than complete. It was mega-merchandised with clothes, shoes, bags, jewelry and hats galore — to the extent that perhaps a few exits stood to be trimmed. The punch line landed within the first few looks — white dresses and suits scribbled in and mocked up with color and print as if they were still two-dimensional drawings on a piece of paper. The silhouettes were on the dressed up side of the Moschino spectrum, derived from the Eighties with prim suits and nouveau riche poufs. Some were tied off with bows. All were worn with flattened boater hats and tights embroidered with fancy-crude black scribbles. Like any good performer, Scott sticks to a well-hewn formula: warm ‘em up with daywear that makes them giggle and let the big laughs roll for the finale. His atelier came to life like a scene from a Disney cartoon. A bolt of fabric became the train to a black wrap dress. A pair of branded silver shears became a highly conceptual gown. A gold thimble crowned a dress made of shimmying tiers of gold needles. Yellow measuring tape was the grand ruffled stole to a muslin bodysuit. The silhouettes followed the lines of classic couture, and the show ended in haute tradition: Gigi Hadid as the bride, her yards-long train carried midair behind her by a swarm of butterflies operated by puppeteers. Milan Fashion Week Spring Summer 2019 Steve Wood © Copyright Loft 1 Building 7 Shepherdess Walk Buildings 15/25 Underwood Street London N1 7LG Software:Adobe Photoshop CS5 Macintosh Created: 2018:09:21 14:28:53
Author: Steve Wood © Copyright Copyright: Steve Wood © Copyright Description: Jeremy Scott, fashion’s very own court jester, chose an inside joke as his ruse this season at Moschino, and, ooh, it had a delicious edge. He mocked his peers who won’t stop whining about their — handsomely compensated — workload. “The fashion system has sped up so much that, this time, I didn’t have time to finish my work,” Scott teased backstage before the show. “All I have to show is my sketches.” Naturally, that wasn’t true. Scott’s collection was more than complete. It was mega-merchandised with clothes, shoes, bags, jewelry and hats galore — to the extent that perhaps a few exits stood to be trimmed. The punch line landed within the first few looks — white dresses and suits scribbled in and mocked up with color and print as if they were still two-dimensional drawings on a piece of paper. The silhouettes were on the dressed up side of the Moschino spectrum, derived from the Eighties with prim suits and nouveau riche poufs. Some were tied off with bows. All were worn with flattened boater hats and tights embroidered with fancy-crude black scribbles. Like any good performer, Scott sticks to a well-hewn formula: warm ‘em up with daywear that makes them giggle and let the big laughs roll for the finale. His atelier came to life like a scene from a Disney cartoon. A bolt of fabric became the train to a black wrap dress. A pair of branded silver shears became a highly conceptual gown. A gold thimble crowned a dress made of shimmying tiers of gold needles. Yellow measuring tape was the grand ruffled stole to a muslin bodysuit. The silhouettes followed the lines of classic couture, and the show ended in haute tradition: Gigi Hadid as the bride, her yards-long train carried midair behind her by a swarm of butterflies operated by puppeteers. Milan Fashion Week Spring Summer 2019 Steve Wood © Copyright Loft 1 Building 7 Shepherdess Walk Buildings 15/25 Underwood Street London N1 7LG Software:Adobe Photoshop CS5 Macintosh Created: 2018:09:21 14:31:08
Author: Steve Wood © Copyright Copyright: Steve Wood © Copyright Description: Jeremy Scott, fashion’s very own court jester, chose an inside joke as his ruse this season at Moschino, and, ooh, it had a delicious edge. He mocked his peers who won’t stop whining about their — handsomely compensated — workload. “The fashion system has sped up so much that, this time, I didn’t have time to finish my work,” Scott teased backstage before the show. “All I have to show is my sketches.” Naturally, that wasn’t true. Scott’s collection was more than complete. It was mega-merchandised with clothes, shoes, bags, jewelry and hats galore — to the extent that perhaps a few exits stood to be trimmed. The punch line landed within the first few looks — white dresses and suits scribbled in and mocked up with color and print as if they were still two-dimensional drawings on a piece of paper. The silhouettes were on the dressed up side of the Moschino spectrum, derived from the Eighties with prim suits and nouveau riche poufs. Some were tied off with bows. All were worn with flattened boater hats and tights embroidered with fancy-crude black scribbles. Like any good performer, Scott sticks to a well-hewn formula: warm ‘em up with daywear that makes them giggle and let the big laughs roll for the finale. His atelier came to life like a scene from a Disney cartoon. A bolt of fabric became the train to a black wrap dress. A pair of branded silver shears became a highly conceptual gown. A gold thimble crowned a dress made of shimmying tiers of gold needles. Yellow measuring tape was the grand ruffled stole to a muslin bodysuit. The silhouettes followed the lines of classic couture, and the show ended in haute tradition: Gigi Hadid as the bride, her yards-long train carried midair behind her by a swarm of butterflies operated by puppeteers. Milan Fashion Week Spring Summer 2019 Steve Wood © Copyright Loft 1 Building 7 Shepherdess Walk Buildings 15/25 Underwood Street London N1 7LG Software:Adobe Photoshop CS5 Macintosh Created: 2018:09:21 14:31:18
Author: Steve Wood © Copyright Copyright: Steve Wood © Copyright Description: Jeremy Scott, fashion’s very own court jester, chose an inside joke as his ruse this season at Moschino, and, ooh, it had a delicious edge. He mocked his peers who won’t stop whining about their — handsomely compensated — workload. “The fashion system has sped up so much that, this time, I didn’t have time to finish my work,” Scott teased backstage before the show. “All I have to show is my sketches.” Naturally, that wasn’t true. Scott’s collection was more than complete. It was mega-merchandised with clothes, shoes, bags, jewelry and hats galore — to the extent that perhaps a few exits stood to be trimmed. The punch line landed within the first few looks — white dresses and suits scribbled in and mocked up with color and print as if they were still two-dimensional drawings on a piece of paper. The silhouettes were on the dressed up side of the Moschino spectrum, derived from the Eighties with prim suits and nouveau riche poufs. Some were tied off with bows. All were worn with flattened boater hats and tights embroidered with fancy-crude black scribbles. Like any good performer, Scott sticks to a well-hewn formula: warm ‘em up with daywear that makes them giggle and let the big laughs roll for the finale. His atelier came to life like a scene from a Disney cartoon. A bolt of fabric became the train to a black wrap dress. A pair of branded silver shears became a highly conceptual gown. A gold thimble crowned a dress made of shimmying tiers of gold needles. Yellow measuring tape was the grand ruffled stole to a muslin bodysuit. The silhouettes followed the lines of classic couture, and the show ended in haute tradition: Gigi Hadid as the bride, her yards-long train carried midair behind her by a swarm of butterflies operated by puppeteers. Milan Fashion Week Spring Summer 2019 Steve Wood © Copyright Loft 1 Building 7 Shepherdess Walk Buildings 15/25 Underwood Street London N1 7LG Software:Adobe Photoshop CS5 Macintosh Created: 2018:09:21 14:31:38
Author: Steve Wood © Copyright Copyright: Steve Wood © Copyright Description: Jeremy Scott, fashion’s very own court jester, chose an inside joke as his ruse this season at Moschino, and, ooh, it had a delicious edge. He mocked his peers who won’t stop whining about their — handsomely compensated — workload. “The fashion system has sped up so much that, this time, I didn’t have time to finish my work,” Scott teased backstage before the show. “All I have to show is my sketches.” Naturally, that wasn’t true. Scott’s collection was more than complete. It was mega-merchandised with clothes, shoes, bags, jewelry and hats galore — to the extent that perhaps a few exits stood to be trimmed. The punch line landed within the first few looks — white dresses and suits scribbled in and mocked up with color and print as if they were still two-dimensional drawings on a piece of paper. The silhouettes were on the dressed up side of the Moschino spectrum, derived from the Eighties with prim suits and nouveau riche poufs. Some were tied off with bows. All were worn with flattened boater hats and tights embroidered with fancy-crude black scribbles. Like any good performer, Scott sticks to a well-hewn formula: warm ‘em up with daywear that makes them giggle and let the big laughs roll for the finale. His atelier came to life like a scene from a Disney cartoon. A bolt of fabric became the train to a black wrap dress. A pair of branded silver shears became a highly conceptual gown. A gold thimble crowned a dress made of shimmying tiers of gold needles. Yellow measuring tape was the grand ruffled stole to a muslin bodysuit. The silhouettes followed the lines of classic couture, and the show ended in haute tradition: Gigi Hadid as the bride, her yards-long train carried midair behind her by a swarm of butterflies operated by puppeteers. Milan Fashion Week Spring Summer 2019 Steve Wood © Copyright Loft 1 Building 7 Shepherdess Walk Buildings 15/25 Underwood Street London N1 7LG Software:Adobe Photoshop CS5 Macintosh Created: 2018:09:21 14:31:45
Author: Steve Wood © Copyright Copyright: Steve Wood © Copyright Description: Jeremy Scott, fashion’s very own court jester, chose an inside joke as his ruse this season at Moschino, and, ooh, it had a delicious edge. He mocked his peers who won’t stop whining about their — handsomely compensated — workload. “The fashion system has sped up so much that, this time, I didn’t have time to finish my work,” Scott teased backstage before the show. “All I have to show is my sketches.” Naturally, that wasn’t true. Scott’s collection was more than complete. It was mega-merchandised with clothes, shoes, bags, jewelry and hats galore — to the extent that perhaps a few exits stood to be trimmed. The punch line landed within the first few looks — white dresses and suits scribbled in and mocked up with color and print as if they were still two-dimensional drawings on a piece of paper. The silhouettes were on the dressed up side of the Moschino spectrum, derived from the Eighties with prim suits and nouveau riche poufs. Some were tied off with bows. All were worn with flattened boater hats and tights embroidered with fancy-crude black scribbles. Like any good performer, Scott sticks to a well-hewn formula: warm ‘em up with daywear that makes them giggle and let the big laughs roll for the finale. His atelier came to life like a scene from a Disney cartoon. A bolt of fabric became the train to a black wrap dress. A pair of branded silver shears became a highly conceptual gown. A gold thimble crowned a dress made of shimmying tiers of gold needles. Yellow measuring tape was the grand ruffled stole to a muslin bodysuit. The silhouettes followed the lines of classic couture, and the show ended in haute tradition: Gigi Hadid as the bride, her yards-long train carried midair behind her by a swarm of butterflies operated by puppeteers. Milan Fashion Week Spring Summer 2019 Steve Wood © Copyright Loft 1 Building 7 Shepherdess Walk Buildings 15/25 Underwood Street London N1 7LG Software:Adobe Photoshop CS5 Macintosh Created: 2018:09:21 14:34:27
Author: Steve Wood © Copyright Copyright: Steve Wood © Copyright Description: Jeremy Scott, fashion’s very own court jester, chose an inside joke as his ruse this season at Moschino, and, ooh, it had a delicious edge. He mocked his peers who won’t stop whining about their — handsomely compensated — workload. “The fashion system has sped up so much that, this time, I didn’t have time to finish my work,” Scott teased backstage before the show. “All I have to show is my sketches.” Naturally, that wasn’t true. Scott’s collection was more than complete. It was mega-merchandised with clothes, shoes, bags, jewelry and hats galore — to the extent that perhaps a few exits stood to be trimmed. The punch line landed within the first few looks — white dresses and suits scribbled in and mocked up with color and print as if they were still two-dimensional drawings on a piece of paper. The silhouettes were on the dressed up side of the Moschino spectrum, derived from the Eighties with prim suits and nouveau riche poufs. Some were tied off with bows. All were worn with flattened boater hats and tights embroidered with fancy-crude black scribbles. Like any good performer, Scott sticks to a well-hewn formula: warm ‘em up with daywear that makes them giggle and let the big laughs roll for the finale. His atelier came to life like a scene from a Disney cartoon. A bolt of fabric became the train to a black wrap dress. A pair of branded silver shears became a highly conceptual gown. A gold thimble crowned a dress made of shimmying tiers of gold needles. Yellow measuring tape was the grand ruffled stole to a muslin bodysuit. The silhouettes followed the lines of classic couture, and the show ended in haute tradition: Gigi Hadid as the bride, her yards-long train carried midair behind her by a swarm of butterflies operated by puppeteers. Milan Fashion Week Spring Summer 2019 Steve Wood © Copyright Loft 1 Building 7 Shepherdess Walk Buildings 15/25 Underwood Street London N1 7LG Software:Adobe Photoshop CS5 Macintosh Created: 2018:09:21 14:34:49
Author: Steve Wood © Copyright Copyright: Steve Wood © Copyright Description: Jeremy Scott, fashion’s very own court jester, chose an inside joke as his ruse this season at Moschino, and, ooh, it had a delicious edge. He mocked his peers who won’t stop whining about their — handsomely compensated — workload. “The fashion system has sped up so much that, this time, I didn’t have time to finish my work,” Scott teased backstage before the show. “All I have to show is my sketches.” Naturally, that wasn’t true. Scott’s collection was more than complete. It was mega-merchandised with clothes, shoes, bags, jewelry and hats galore — to the extent that perhaps a few exits stood to be trimmed. The punch line landed within the first few looks — white dresses and suits scribbled in and mocked up with color and print as if they were still two-dimensional drawings on a piece of paper. The silhouettes were on the dressed up side of the Moschino spectrum, derived from the Eighties with prim suits and nouveau riche poufs. Some were tied off with bows. All were worn with flattened boater hats and tights embroidered with fancy-crude black scribbles. Like any good performer, Scott sticks to a well-hewn formula: warm ‘em up with daywear that makes them giggle and let the big laughs roll for the finale. His atelier came to life like a scene from a Disney cartoon. A bolt of fabric became the train to a black wrap dress. A pair of branded silver shears became a highly conceptual gown. A gold thimble crowned a dress made of shimmying tiers of gold needles. Yellow measuring tape was the grand ruffled stole to a muslin bodysuit. The silhouettes followed the lines of classic couture, and the show ended in haute tradition: Gigi Hadid as the bride, her yards-long train carried midair behind her by a swarm of butterflies operated by puppeteers. Milan Fashion Week Spring Summer 2019 Steve Wood © Copyright Loft 1 Building 7 Shepherdess Walk Buildings 15/25 Underwood Street London N1 7LG Software:Adobe Photoshop CS5 Macintosh Created: 2018:09:21 14:35:23
Author: Steve Wood © Copyright Copyright: Steve Wood © Copyright Description: Jeremy Scott, fashion’s very own court jester, chose an inside joke as his ruse this season at Moschino, and, ooh, it had a delicious edge. He mocked his peers who won’t stop whining about their — handsomely compensated — workload. “The fashion system has sped up so much that, this time, I didn’t have time to finish my work,” Scott teased backstage before the show. “All I have to show is my sketches.” Naturally, that wasn’t true. Scott’s collection was more than complete. It was mega-merchandised with clothes, shoes, bags, jewelry and hats galore — to the extent that perhaps a few exits stood to be trimmed. The punch line landed within the first few looks — white dresses and suits scribbled in and mocked up with color and print as if they were still two-dimensional drawings on a piece of paper. The silhouettes were on the dressed up side of the Moschino spectrum, derived from the Eighties with prim suits and nouveau riche poufs. Some were tied off with bows. All were worn with flattened boater hats and tights embroidered with fancy-crude black scribbles. Like any good performer, Scott sticks to a well-hewn formula: warm ‘em up with daywear that makes them giggle and let the big laughs roll for the finale. His atelier came to life like a scene from a Disney cartoon. A bolt of fabric became the train to a black wrap dress. A pair of branded silver shears became a highly conceptual gown. A gold thimble crowned a dress made of shimmying tiers of gold needles. Yellow measuring tape was the grand ruffled stole to a muslin bodysuit. The silhouettes followed the lines of classic couture, and the show ended in haute tradition: Gigi Hadid as the bride, her yards-long train carried midair behind her by a swarm of butterflies operated by puppeteers. Milan Fashion Week Spring Summer 2019 Steve Wood © Copyright Loft 1 Building 7 Shepherdess Walk Buildings 15/25 Underwood Street London N1 7LG Software:Adobe Photoshop CS5 Macintosh Created: 2018:09:21 14:35:49
Author: Steve Wood © Copyright Copyright: Steve Wood © Copyright Description: Jeremy Scott, fashion’s very own court jester, chose an inside joke as his ruse this season at Moschino, and, ooh, it had a delicious edge. He mocked his peers who won’t stop whining about their — handsomely compensated — workload. “The fashion system has sped up so much that, this time, I didn’t have time to finish my work,” Scott teased backstage before the show. “All I have to show is my sketches.” Naturally, that wasn’t true. Scott’s collection was more than complete. It was mega-merchandised with clothes, shoes, bags, jewelry and hats galore — to the extent that perhaps a few exits stood to be trimmed. The punch line landed within the first few looks — white dresses and suits scribbled in and mocked up with color and print as if they were still two-dimensional drawings on a piece of paper. The silhouettes were on the dressed up side of the Moschino spectrum, derived from the Eighties with prim suits and nouveau riche poufs. Some were tied off with bows. All were worn with flattened boater hats and tights embroidered with fancy-crude black scribbles. Like any good performer, Scott sticks to a well-hewn formula: warm ‘em up with daywear that makes them giggle and let the big laughs roll for the finale. His atelier came to life like a scene from a Disney cartoon. A bolt of fabric became the train to a black wrap dress. A pair of branded silver shears became a highly conceptual gown. A gold thimble crowned a dress made of shimmying tiers of gold needles. Yellow measuring tape was the grand ruffled stole to a muslin bodysuit. The silhouettes followed the lines of classic couture, and the show ended in haute tradition: Gigi Hadid as the bride, her yards-long train carried midair behind her by a swarm of butterflies operated by puppeteers. Milan Fashion Week Spring Summer 2019 Steve Wood © Copyright Loft 1 Building 7 Shepherdess Walk Buildings 15/25 Underwood Street London N1 7LG Software:Adobe Photoshop CS5 Macintosh Created: 2018:09:21 14:35:58
Author: Steve Wood © Copyright Copyright: Steve Wood © Copyright Description: Jeremy Scott, fashion’s very own court jester, chose an inside joke as his ruse this season at Moschino, and, ooh, it had a delicious edge. He mocked his peers who won’t stop whining about their — handsomely compensated — workload. “The fashion system has sped up so much that, this time, I didn’t have time to finish my work,” Scott teased backstage before the show. “All I have to show is my sketches.” Naturally, that wasn’t true. Scott’s collection was more than complete. It was mega-merchandised with clothes, shoes, bags, jewelry and hats galore — to the extent that perhaps a few exits stood to be trimmed. The punch line landed within the first few looks — white dresses and suits scribbled in and mocked up with color and print as if they were still two-dimensional drawings on a piece of paper. The silhouettes were on the dressed up side of the Moschino spectrum, derived from the Eighties with prim suits and nouveau riche poufs. Some were tied off with bows. All were worn with flattened boater hats and tights embroidered with fancy-crude black scribbles. Like any good performer, Scott sticks to a well-hewn formula: warm ‘em up with daywear that makes them giggle and let the big laughs roll for the finale. His atelier came to life like a scene from a Disney cartoon. A bolt of fabric became the train to a black wrap dress. A pair of branded silver shears became a highly conceptual gown. A gold thimble crowned a dress made of shimmying tiers of gold needles. Yellow measuring tape was the grand ruffled stole to a muslin bodysuit. The silhouettes followed the lines of classic couture, and the show ended in haute tradition: Gigi Hadid as the bride, her yards-long train carried midair behind her by a swarm of butterflies operated by puppeteers. Milan Fashion Week Spring Summer 2019 Steve Wood © Copyright Loft 1 Building 7 Shepherdess Walk Buildings 15/25 Underwood Street London N1 7LG Software:Adobe Photoshop CS5 Macintosh Created: 2018:09:21 14:36:20
Author: Steve Wood © Copyright Copyright: Steve Wood © Copyright Description: Jeremy Scott, fashion’s very own court jester, chose an inside joke as his ruse this season at Moschino, and, ooh, it had a delicious edge. He mocked his peers who won’t stop whining about their — handsomely compensated — workload. “The fashion system has sped up so much that, this time, I didn’t have time to finish my work,” Scott teased backstage before the show. “All I have to show is my sketches.” Naturally, that wasn’t true. Scott’s collection was more than complete. It was mega-merchandised with clothes, shoes, bags, jewelry and hats galore — to the extent that perhaps a few exits stood to be trimmed. The punch line landed within the first few looks — white dresses and suits scribbled in and mocked up with color and print as if they were still two-dimensional drawings on a piece of paper. The silhouettes were on the dressed up side of the Moschino spectrum, derived from the Eighties with prim suits and nouveau riche poufs. Some were tied off with bows. All were worn with flattened boater hats and tights embroidered with fancy-crude black scribbles. Like any good performer, Scott sticks to a well-hewn formula: warm ‘em up with daywear that makes them giggle and let the big laughs roll for the finale. His atelier came to life like a scene from a Disney cartoon. A bolt of fabric became the train to a black wrap dress. A pair of branded silver shears became a highly conceptual gown. A gold thimble crowned a dress made of shimmying tiers of gold needles. Yellow measuring tape was the grand ruffled stole to a muslin bodysuit. The silhouettes followed the lines of classic couture, and the show ended in haute tradition: Gigi Hadid as the bride, her yards-long train carried midair behind her by a swarm of butterflies operated by puppeteers. Milan Fashion Week Spring Summer 2019 Steve Wood © Copyright Loft 1 Building 7 Shepherdess Walk Buildings 15/25 Underwood Street London N1 7LG Software:Adobe Photoshop CS5 Macintosh Created: 2018:09:21 14:36:59
Author: Steve Wood © Copyright Copyright: Steve Wood © Copyright Description: Jeremy Scott, fashion’s very own court jester, chose an inside joke as his ruse this season at Moschino, and, ooh, it had a delicious edge. He mocked his peers who won’t stop whining about their — handsomely compensated — workload. “The fashion system has sped up so much that, this time, I didn’t have time to finish my work,” Scott teased backstage before the show. “All I have to show is my sketches.” Naturally, that wasn’t true. Scott’s collection was more than complete. It was mega-merchandised with clothes, shoes, bags, jewelry and hats galore — to the extent that perhaps a few exits stood to be trimmed. The punch line landed within the first few looks — white dresses and suits scribbled in and mocked up with color and print as if they were still two-dimensional drawings on a piece of paper. The silhouettes were on the dressed up side of the Moschino spectrum, derived from the Eighties with prim suits and nouveau riche poufs. Some were tied off with bows. All were worn with flattened boater hats and tights embroidered with fancy-crude black scribbles. Like any good performer, Scott sticks to a well-hewn formula: warm ‘em up with daywear that makes them giggle and let the big laughs roll for the finale. His atelier came to life like a scene from a Disney cartoon. A bolt of fabric became the train to a black wrap dress. A pair of branded silver shears became a highly conceptual gown. A gold thimble crowned a dress made of shimmying tiers of gold needles. Yellow measuring tape was the grand ruffled stole to a muslin bodysuit. The silhouettes followed the lines of classic couture, and the show ended in haute tradition: Gigi Hadid as the bride, her yards-long train carried midair behind her by a swarm of butterflies operated by puppeteers. Milan Fashion Week Spring Summer 2019 Steve Wood © Copyright Loft 1 Building 7 Shepherdess Walk Buildings 15/25 Underwood Street London N1 7LG Software:Adobe Photoshop CS5 Macintosh Created: 2018:09:21 14:31:58
Author: Steve Wood © Copyright Copyright: Steve Wood © Copyright Description: Jeremy Scott, fashion’s very own court jester, chose an inside joke as his ruse this season at Moschino, and, ooh, it had a delicious edge. He mocked his peers who won’t stop whining about their — handsomely compensated — workload. “The fashion system has sped up so much that, this time, I didn’t have time to finish my work,” Scott teased backstage before the show. “All I have to show is my sketches.” Naturally, that wasn’t true. Scott’s collection was more than complete. It was mega-merchandised with clothes, shoes, bags, jewelry and hats galore — to the extent that perhaps a few exits stood to be trimmed. The punch line landed within the first few looks — white dresses and suits scribbled in and mocked up with color and print as if they were still two-dimensional drawings on a piece of paper. The silhouettes were on the dressed up side of the Moschino spectrum, derived from the Eighties with prim suits and nouveau riche poufs. Some were tied off with bows. All were worn with flattened boater hats and tights embroidered with fancy-crude black scribbles. Like any good performer, Scott sticks to a well-hewn formula: warm ‘em up with daywear that makes them giggle and let the big laughs roll for the finale. His atelier came to life like a scene from a Disney cartoon. A bolt of fabric became the train to a black wrap dress. A pair of branded silver shears became a highly conceptual gown. A gold thimble crowned a dress made of shimmying tiers of gold needles. Yellow measuring tape was the grand ruffled stole to a muslin bodysuit. The silhouettes followed the lines of classic couture, and the show ended in haute tradition: Gigi Hadid as the bride, her yards-long train carried midair behind her by a swarm of butterflies operated by puppeteers. Milan Fashion Week Spring Summer 2019 Steve Wood © Copyright Loft 1 Building 7 Shepherdess Walk Buildings 15/25 Underwood Street London N1 7LG Software:Adobe Photoshop CS5 Macintosh Created: 2018:09:21 14:32:13
Author: Steve Wood © Copyright Copyright: Steve Wood © Copyright Description: Jeremy Scott, fashion’s very own court jester, chose an inside joke as his ruse this season at Moschino, and, ooh, it had a delicious edge. He mocked his peers who won’t stop whining about their — handsomely compensated — workload. “The fashion system has sped up so much that, this time, I didn’t have time to finish my work,” Scott teased backstage before the show. “All I have to show is my sketches.” Naturally, that wasn’t true. Scott’s collection was more than complete. It was mega-merchandised with clothes, shoes, bags, jewelry and hats galore — to the extent that perhaps a few exits stood to be trimmed. The punch line landed within the first few looks — white dresses and suits scribbled in and mocked up with color and print as if they were still two-dimensional drawings on a piece of paper. The silhouettes were on the dressed up side of the Moschino spectrum, derived from the Eighties with prim suits and nouveau riche poufs. Some were tied off with bows. All were worn with flattened boater hats and tights embroidered with fancy-crude black scribbles. Like any good performer, Scott sticks to a well-hewn formula: warm ‘em up with daywear that makes them giggle and let the big laughs roll for the finale. His atelier came to life like a scene from a Disney cartoon. A bolt of fabric became the train to a black wrap dress. A pair of branded silver shears became a highly conceptual gown. A gold thimble crowned a dress made of shimmying tiers of gold needles. Yellow measuring tape was the grand ruffled stole to a muslin bodysuit. The silhouettes followed the lines of classic couture, and the show ended in haute tradition: Gigi Hadid as the bride, her yards-long train carried midair behind her by a swarm of butterflies operated by puppeteers. Milan Fashion Week Spring Summer 2019 Steve Wood © Copyright Loft 1 Building 7 Shepherdess Walk Buildings 15/25 Underwood Street London N1 7LG Software:Adobe Photoshop CS5 Macintosh Created: 2018:09:21 14:32:39
Author: Steve Wood © Copyright Copyright: Steve Wood © Copyright Description: Jeremy Scott, fashion’s very own court jester, chose an inside joke as his ruse this season at Moschino, and, ooh, it had a delicious edge. He mocked his peers who won’t stop whining about their — handsomely compensated — workload. “The fashion system has sped up so much that, this time, I didn’t have time to finish my work,” Scott teased backstage before the show. “All I have to show is my sketches.” Naturally, that wasn’t true. Scott’s collection was more than complete. It was mega-merchandised with clothes, shoes, bags, jewelry and hats galore — to the extent that perhaps a few exits stood to be trimmed. The punch line landed within the first few looks — white dresses and suits scribbled in and mocked up with color and print as if they were still two-dimensional drawings on a piece of paper. The silhouettes were on the dressed up side of the Moschino spectrum, derived from the Eighties with prim suits and nouveau riche poufs. Some were tied off with bows. All were worn with flattened boater hats and tights embroidered with fancy-crude black scribbles. Like any good performer, Scott sticks to a well-hewn formula: warm ‘em up with daywear that makes them giggle and let the big laughs roll for the finale. His atelier came to life like a scene from a Disney cartoon. A bolt of fabric became the train to a black wrap dress. A pair of branded silver shears became a highly conceptual gown. A gold thimble crowned a dress made of shimmying tiers of gold needles. Yellow measuring tape was the grand ruffled stole to a muslin bodysuit. The silhouettes followed the lines of classic couture, and the show ended in haute tradition: Gigi Hadid as the bride, her yards-long train carried midair behind her by a swarm of butterflies operated by puppeteers. Milan Fashion Week Spring Summer 2019 Steve Wood © Copyright Loft 1 Building 7 Shepherdess Walk Buildings 15/25 Underwood Street London N1 7LG Software:Adobe Photoshop CS5 Macintosh Created: 2018:09:21 14:32:53
Author: Steve Wood © Copyright Copyright: Steve Wood © Copyright Description: Jeremy Scott, fashion’s very own court jester, chose an inside joke as his ruse this season at Moschino, and, ooh, it had a delicious edge. He mocked his peers who won’t stop whining about their — handsomely compensated — workload. “The fashion system has sped up so much that, this time, I didn’t have time to finish my work,” Scott teased backstage before the show. “All I have to show is my sketches.” Naturally, that wasn’t true. Scott’s collection was more than complete. It was mega-merchandised with clothes, shoes, bags, jewelry and hats galore — to the extent that perhaps a few exits stood to be trimmed. The punch line landed within the first few looks — white dresses and suits scribbled in and mocked up with color and print as if they were still two-dimensional drawings on a piece of paper. The silhouettes were on the dressed up side of the Moschino spectrum, derived from the Eighties with prim suits and nouveau riche poufs. Some were tied off with bows. All were worn with flattened boater hats and tights embroidered with fancy-crude black scribbles. Like any good performer, Scott sticks to a well-hewn formula: warm ‘em up with daywear that makes them giggle and let the big laughs roll for the finale. His atelier came to life like a scene from a Disney cartoon. A bolt of fabric became the train to a black wrap dress. A pair of branded silver shears became a highly conceptual gown. A gold thimble crowned a dress made of shimmying tiers of gold needles. Yellow measuring tape was the grand ruffled stole to a muslin bodysuit. The silhouettes followed the lines of classic couture, and the show ended in haute tradition: Gigi Hadid as the bride, her yards-long train carried midair behind her by a swarm of butterflies operated by puppeteers. Milan Fashion Week Spring Summer 2019 Steve Wood © Copyright Loft 1 Building 7 Shepherdess Walk Buildings 15/25 Underwood Street London N1 7LG Software:Adobe Photoshop CS5 Macintosh Created: 2018:09:21 14:40:09
Author: Steve Wood © Copyright Copyright: Steve Wood © Copyright Description: Jeremy Scott, fashion’s very own court jester, chose an inside joke as his ruse this season at Moschino, and, ooh, it had a delicious edge. He mocked his peers who won’t stop whining about their — handsomely compensated — workload. “The fashion system has sped up so much that, this time, I didn’t have time to finish my work,” Scott teased backstage before the show. “All I have to show is my sketches.” Naturally, that wasn’t true. Scott’s collection was more than complete. It was mega-merchandised with clothes, shoes, bags, jewelry and hats galore — to the extent that perhaps a few exits stood to be trimmed. The punch line landed within the first few looks — white dresses and suits scribbled in and mocked up with color and print as if they were still two-dimensional drawings on a piece of paper. The silhouettes were on the dressed up side of the Moschino spectrum, derived from the Eighties with prim suits and nouveau riche poufs. Some were tied off with bows. All were worn with flattened boater hats and tights embroidered with fancy-crude black scribbles. Like any good performer, Scott sticks to a well-hewn formula: warm ‘em up with daywear that makes them giggle and let the big laughs roll for the finale. His atelier came to life like a scene from a Disney cartoon. A bolt of fabric became the train to a black wrap dress. A pair of branded silver shears became a highly conceptual gown. A gold thimble crowned a dress made of shimmying tiers of gold needles. Yellow measuring tape was the grand ruffled stole to a muslin bodysuit. The silhouettes followed the lines of classic couture, and the show ended in haute tradition: Gigi Hadid as the bride, her yards-long train carried midair behind her by a swarm of butterflies operated by puppeteers. Milan Fashion Week Spring Summer 2019 Steve Wood © Copyright Loft 1 Building 7 Shepherdess Walk Buildings 15/25 Underwood Street London N1 7LG Software:Adobe Photoshop CS5 Macintosh Created: 2018:09:21 14:40:27
Author: Steve Wood © Copyright Copyright: Steve Wood © Copyright Description: Jeremy Scott, fashion’s very own court jester, chose an inside joke as his ruse this season at Moschino, and, ooh, it had a delicious edge. He mocked his peers who won’t stop whining about their — handsomely compensated — workload. “The fashion system has sped up so much that, this time, I didn’t have time to finish my work,” Scott teased backstage before the show. “All I have to show is my sketches.” Naturally, that wasn’t true. Scott’s collection was more than complete. It was mega-merchandised with clothes, shoes, bags, jewelry and hats galore — to the extent that perhaps a few exits stood to be trimmed. The punch line landed within the first few looks — white dresses and suits scribbled in and mocked up with color and print as if they were still two-dimensional drawings on a piece of paper. The silhouettes were on the dressed up side of the Moschino spectrum, derived from the Eighties with prim suits and nouveau riche poufs. Some were tied off with bows. All were worn with flattened boater hats and tights embroidered with fancy-crude black scribbles. Like any good performer, Scott sticks to a well-hewn formula: warm ‘em up with daywear that makes them giggle and let the big laughs roll for the finale. His atelier came to life like a scene from a Disney cartoon. A bolt of fabric became the train to a black wrap dress. A pair of branded silver shears became a highly conceptual gown. A gold thimble crowned a dress made of shimmying tiers of gold needles. Yellow measuring tape was the grand ruffled stole to a muslin bodysuit. The silhouettes followed the lines of classic couture, and the show ended in haute tradition: Gigi Hadid as the bride, her yards-long train carried midair behind her by a swarm of butterflies operated by puppeteers. Milan Fashion Week Spring Summer 2019 Steve Wood © Copyright Loft 1 Building 7 Shepherdess Walk Buildings 15/25 Underwood Street London N1 7LG Software:Adobe Photoshop CS5 Macintosh Created: 2018:09:21 14:40:45
